Dekalog (pronounced [dɛˈkalɔk]) is a 1989 Polish drama television miniseries directed by Krzysztof Kieślowski and co-written by Kieślowski with Krzysztof Piesiewicz, with music by Zbigniew Preisner. It consists of ten one-hour films, inspired by the decalogue of the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time. Each installment explores characters facing one or several moral or ethical dilemmas as they reside in an austere housing project in 1980s Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human.
The peaks and the valleys. Find the essential episodes — and the ones to skip.
“Thou shalt not commit adultery.” A shorter, scaled-down version of “A Short Film About Love,” with a less complex plot and a different ending—though the basic narrative about the relationship between a lonely 19-year-old boy and the thirty-something artist that he spies on every night is the same.
“I am the Lord thy God; thou shalt have no other God but me.” Ten-year-old Pawel and his father Krzysztof run their lives on their beloved home computer, while Pawel’s aunt worries that his spiritual education is being neglected. But Pawel is too busy enjoying life, not least thanks to his father’s Christmas present of a pair of ice skates, because the computer has calculated that the frozen lake is safe to skate across…
“Thou shalt not kill.” A shorter, slightly less graphic version of “A Short Film About Killing,” but the plot is essentially the same: murder followed by execution, two killings, one illegal, one legal, both hideous.
“Remember the sabbath day, to keep it holy.” Janusz is a taxi driver. It’s Christmas Eve, and he honours the (Polish) traditions for this (holy) day: he gives presents to the members of his family and attends Midnight Mass. Later, Ewa, a woman who he had betrayed his wife with three years earlier, asks him to help her. Her husband is missing, and she asks him to help her search for him. Should Janusz stay home to keep the day holy? Or should he help Ewa, who says she needs his help, to keep the day holy? Is it his duty to help her? This episode seems to be about both…
Each point is an episode, plotted in order. Colored bands mark season boundaries. Look for the rise, the plateau, or the decline.
High votes + high rating = beloved classic. High votes + low rating = notorious stinker. Low votes + high rating = hidden gem.
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